Director: Todd Haynes
Role: Digital Matte Painter, Nuke Compositor
Visual Effects Supervisor: Chris Haney
Studio: The Mill
I was the digital matte painter for three key scenes set in New York City in the 1950's. I shot photographs of period buildings in NYC, constructed matte paintings, and worked along with the team at The Mill to comp into footage. Several of the matte painting scenes are visible in the trailer.